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The Police
Review - Fenway Park in Boston, MA Concert Review
© 2007 BestShowTicketsLasVegas.com
| Fenway Park came
alive last night as Sting and The Police jammed
through one classic hit after another in center
field. Do you ever find yourself somehow magically
transported back to some past moment in your
life that you've linked up with a particular
song when you hear it now, even if the experience
is fleeting and only lasts a second or two?
This happens to me, and it happened in abundance
last night. Every song I heard brought me back
to some earlier time in my youth where I remembered
hearing the song and what I was doing and thinking
at that time.
Last night's concert was not only
full of nostalgic times, but also showcased
The Police as a relevant and cohesive band consisting
of three highly skilled and talented musicians.
This is the hottest tour of the 2007 summer
and it did not disappoint. I am thrilled I got
a chance to experience it.
I grew up in the eighties and
always loved The
Police and their reggae/rock/punk/pop sound.
Last night's performance began with Message
in a Bottle, Synchronicity II and then Walking
on the Moon. You couldn't have picked three
better tunes to start the show. |
|
They began strong, and I was
looking for any hints of the three playing separately
since they've been broken up for so long and
have had differences. I also read a review of
one of their earlier shows on this reunion tour
where the writer thought it was like hearing
three different solo artists happening to play
on one stage.
I found no such thing at the Boston Fenway
Park concert. Being an electric bass player
myself who's played in a million bands over
the years, I'm comfortable gauging live music.
Mark my words, The Police were one and played
as a band. You could just tell how comfortable
they were with each other musically. And as
the night progressed, they became even tighter.
When Stewart Copeland played everything conceivable
except the downbeat, yet the trio managed to
stay glued to the underlying groove, I was confident
I was witnessing a band in the truest sense
of the word.
Stewart Copeland was out-of-this-world good.
Copeland was always considered one the best
rock drummers of that era, and he reasserted
himself for this era last night. Of course he
had all kinds of percussion instruments arrayed
around him, including a big gong, exotic chimes
and a xylophone. We watched him standing up
jamming on one of these unusual instruments
and then bouncing over to his seat at his drum
kit and slamming down on his snare in perfect
rhythm. And what a snare sound he creates. It
sounded like a perfect high-powered rifle shot
on each and every strike, piercing its way through
the air to hit my ears.
|
| 
|
While his left hand wailed away
on the snare, his right hand was a mockingbird
blur of fluttering hits to his high hat. His
hair was a mass of gray fuzz that was supported
by a headband, which gave him the look of
a mad Muppets character making the drums his
slave. This look was punctuated by his one-piece,
form-fitting body suite capped by thick grey
gloves. I wouldn't have expected him any other
way. When you're that good, you can look any
way you want.
Adny Summers was dressed a little
like one of the Beatles on Sergeant Pepper's
Lonely Hearts Club band album cover. His guitar
playing was excellent, but was overshadowed
by Sting's bass and voice and Copeland's beats,
except for when Summers soloed. When it was
his chance to shine he did not disappoint
either. One of the trademarks of The Police's
sound was Summer's nepharious and thick chord
structures, and it was awesome to see him
make those chords live and witnessing his
left hand splay out to reach all the notes.
I think what surprised me the
most last night was Sting's ability to play
the bass. Either I didn't realize how good
he was all along, or he has done some serious
improving over the last decade.
|
In fact I have seen a few Sting
solo shows of the years and never remember him
playing the bass that good, although at least
one show he played the guitar almost the entire
concert. He and Copeland laid down some serious
grooves that never even peaked out of the pocket.
They played off each other, trading polyrhythms
and feeding ideas back and forth. If you've
ever tried to play an instrument, you would
most likely know how hard it is to play and
sing at the same time. Sting seemed a master
at this.
For a while during the show I thought there
was some background vocals just off the stage
or maybe a soundtrack playing in the background,
but it turned out to be the audience! Everyone
seemed to know every word of every song. Sting
would purposefully back off the microphone and
the crowd would sing the rest of the lyric in
unison. In numerous songs, he would sing the
first part of the chorus and the crowd would
sing the rest. It was a blast since I too knew
all the words.
Another thing that was so impressive about
this Boston
Police concert was how full their live sound
was for a mere trio. It sounded as if there
was a stage full of musicians playing. At one
point, Sting's microphone fell off its stand
and as he picked it up and adjusted it, his
bass playing stopped. It was only when he began
again a moment later that I realized just how
much the bass carried not only the bottom but
the whole sound.
The Police also strayed from a few of the album
versions and created some improvised, mood-setting
music as well. Again, during these jams it was
obvious that these guys played in a band together
for a long time and were completely familiar
with each other's sound and style. It seemed
like all three have improved and that the magic
is still there.
They ended with Roxanne, and then encored with
King of Pain, So Lonely, Every Breath You Take
and finally, Next To You. In today's times of
one-hit wonders, American Idol, and over-produced
and under-talented solo artists, it was refreshing
to witness a classic band play some of my favorite
songs live in concert. If you get a chance,
definitely check out The
Police live in concert. Also, click
here to see some more of The Police concert
pictures I took |
The
Police Fenway Park Setlist
“Voices Inside My Head”/”When
the World Is Running Down, You Make the Best of What’s
Still Around”
Don't Stand So Close to Me
Bed's Too Big Without You
Every Little Thing She Does Is Magic
Wrapped Around Your Finger
Walking in Your Footsteps
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