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About The Cure

In 1976, when three school chums came together to form the Easy Cure, hardly could they have imagined the lasting impact they would one day have on popular culture. But that's just how it happened with vocalist/guitarist Robert Smith, bassist Michael Dempsey, and drummer Laurence Tolhurst who would go on to drop the Easy and become the Cure.

Their demo single, “Killing an Arab,” landed them a deal with an indie label which resulted in their 1978 release of Small Wonder. When they label rep went on to form his own company, the Cure went along for the ride. A re-release of “Killing an Arab” in early 1979 was enough to get the guys on the road throughout England.

The Cure followed that up with Three Imaginary Boys in May of the same year and found some fans in the British press corps. After issuing a couple more non-album singles ("Boys Don't Cry" and "Jumping Someone Else's Train"), the Cure went on tour with Siouxsie and the Banshees.

Toward the end of the year, Dempsey took his leave and was soon enough replaced with Simon Gallup. Keyboardist Mathieu Hartley also signed on as the band released Seventeen Seconds and embarked on a world tour in 1980. Hartley didn't last, though, striking out after Australia.

Carrying on sans keyboards, the Cure finished the tour and went back into the studio emerging with Faith in 1981. The set made it to number 14 on the UK charts, but failed to yield any real hits, save the minor success of “Primary.”

For their fourth effort, the Cure issued Pornography the following year and finally broke into the Top 10 on the UK album charts. Yet another line-up change came when Gallup departed and Tolhurst swapped drumsticks for keys.

After pursuing a couple of side projects, Smith regrouped with Tolhurst, Phil Thornalley on bass, and Andy Anderson on drums. What resulted of the new roster was “The Lovecats” single in 1983 and The Top album in 1984. Another world tour was scheduled to support the album, during which Anderson was given the boot. Thornalley left once the tour was over.

Come 1985, drummer Boris Williams and guitarist Porl Thompson joined Gallup on bass in the latest Cure incarnation. Their sixth collection came later in the year with The Head on the Door. Once again breaking into the UK Top 10, this time the Cure also found their way to number 59 on the Billboard Hot 100 thanks to two impossibly catchy singles, "In Between Days" and "Close to Me."

American college radio to a liking to the Cure and helped bolster their cult following in the States with 1986's Standing on a Beach: The Singles. After going gold in the U.S., the Cure kept the momentum buzzing along with 1987's Kiss Me, Kiss Me, Kiss Me. Four more hits emerged in "Why Can't I Be You," "Catch," "Just Like Heaven," and "Hot Hot Hot!!!" with "Just Like Heaven" breaking into the Top 40 in the U.S.

When Tolhurst was fired after the Kiss Me tour, he responded with a lawsuit that wouldn't be resolved until 1994. The Cure moved forward with keyboardist Roger O'Donnell for 1989's Disintegration. The brooding set reached number three in the UK and number 14 in the U.S. The album's massive hits included "Lullaby" and "Love Song," and pushed the Cure into stadiums for the tour. As had become the norm, the band's roster endured another change when O'Donnell left and was replaced by Perry Bamonte.

In early '92, Wish dropped debuting at the top of the UK charts and missing that mark by one in the U.S. More hits came with "High" and "Friday I'm in Love," as did another global tour. Their Detroit concert was filmed and released as Show in 1993.

That same year, Thompson and Williams left, O'Donnell came back, Jason Cooper joined, and Bamonte switched instruments. With the Tolhurst lawsuit settled, the Cure went into the studio for album number 10 and eventually offered up Wild Mood Swings in 1996.

Incidental projects filled the next few years until Bloodflowers dropped in 2000 as the final piece of the trilogy that included Pornography and Disintegration. It earned itself a Grammy nomination for Best Alternative Music Album.

For 2001, the Cure issued the Greatest Hits album and a companion DVD of their best music videos. That was followed in 2002 with a spat of touring that culminated in three nights in Berlin. Over the course of the run, the Cure played their "goth trilogy" albums, one each night, and filmed it for the Trilogy home video.

A new record deal came in 2003 with Geffen Records. What followed was an onslaught of reissues and rarities releases leading up to a live-in-studio set in 2004. Still another change of players happened in 2005, but the Cure managed, once again, to rebuild itself and appear at the Live 8 concert in Paris before making the summer festival rounds and film performances for 2006's Festival DVD.

More festival performances, and a smattering of European tour dates, filled the 2007 and 2008 calendars with 4:13 Dream hitting streets in the fall of 2008. A follow-up was announced in 2010, but didn't materialize as promised. Instead, the Cure continued to play shows, including two dates in Sydney, Australia, that included their first three albums in their entirety. Dubbed the Reflections shows, the performances included both O'Donnell and Tolhurst, and were filmed for a DVD release in 2011 with more shows in London, New York, and Los Angeles added to the itinerary.

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