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Rolling Stones Tickets: Rolling Stones tickets may be purchased by clicking here. We supply the highest quality Rolling Stones tickets at one of the best prices on the Web. Get Your Tickets is determined to provide our customers with unsurpassed customer service and the highest quality Rolling Stones tickets available. The Rolling Stones are a British rock and roll band who rose to prominence during the mid-1960s. The Rolling Stones were original in weaving together various strands of American composition into a new form of popular music. Early in their career they played covers of blues, rhythm and blues, country, and rock and roll music. Their first recordings were covers of Chuck Berry, Robert Johnson, Screamin' Jay Hawkins, Waters, and Hank Williams songs, among others. Although founding members Mick Jagger and Keith Richards are regarded as one of the greatest songwriting teams in the history of popular music, the band never stopped being inspired by other genres. Reggae, Punk, and Dance have leaked into their recordings.   View Rolling Stones Tickets       View All Rolling Stones Tickets   Guitarist (and original frontman) Brian Jones, although popular and charismatic, was forced out of the band in 1969 and died an enigmatic death later that year, presumed accidental at the time, although accusations have surfaced that he was murdered. Jagger and Richards took over songwriting and performance leadership. Jones had favored sticking close to the blues base, although he had also experimented with the sitar, but Jagger and Richards broadened their approach. ...read more below

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The choice of material on their first record, a self-titled EP, reflected their live shows. Similarly, the album The Rolling Stones (England's Newest Hitmakers) which appeared in April 1964 featured versions of such classics as "Route 66" (originally recorded by Nat King Cole), "Mona" (Bo Diddley) and "Carol" (Chuck Berry). The performances were pivotal in introducing a generation of white British youth to rhythm and blues music, and helped to fuel the "British Invasion". More importantly perhaps, while The Beatles were still suited, clean-cut boys with mop-top haircuts, The Stones cultivated the opposite image: decidedly unkempt, and posing for publicity photographs like a gang sulking at cameras because they were afraid of showing bad dentistry if they smiled. This made many girls go crazy for their bad boy image, and soon made them a teen idol group.

The Rolling Stones #2
The follow-up album, The Rolling Stones #2 (Now in the U.S), was also composed mainly of cover tunes, only now augmented by a couple of songs written by the fledgling partnership of Jagger and Richards having been locked in a room by their manager who refused to let them out until they had produced something they could release that was self-written. Encouraged by Oldham, the band toured Europe and America continuously in their support, playing to packed crowds of screaming teenagers in scenes reminiscent of the height of Beatlemania. While on tour they took time to visit important locations in the history of the music that inspired them, recording the EP Five By Five at the studios of Chess Records in Chicago.

Back at home these early years of success represented a rare period of stability in the personal relationship between the band members. Jagger, Richards and Jones were sharing a house and Jones had begun to see Anita Pallenberg, an actress and model who introduced them to the circle of society in which she moved: a group of young artists, musicians and filmmakers. Prompted by Oldham, who possessed sufficient business acumen to see where money was to be made, Jagger and Richards became more prolific songwriters and 1965's Out Of Our Heads contained much self-penned material, including the classic "(I Can't Get No) Satisfaction," and saw the dynamic of the band begin to change, with Jagger and Richards starting to emerge as the perceived leaders of the band. Jones, not unaware of his reduced importance, retreated into drug abuse, alienating both Richards and Pallenberg, who began a liaison that would last over ten years. During this period Pallenberg's opinions about the music, as one of the few people the band trusted, should not be underestimated. With the main songwriters maintaining their rate of production, Aftermath (1966) continued the progression, consisting entirely of Jagger/Richards compositions including "Mother's Little Helper," about pill abuse, and the misogynistic "Under My Thumb," whereas on Between The Buttons (1967) they wore the influences of their many contemporaries, including The Who and The Kinks.

Don't stop: The Rolling Stones

In 2002, Q magazine named The Rolling Stones as one of the "50 Bands To See Before You Die". On July 30, 2003, the band headlined the Molson Canadian Rocks for Toronto concert in Toronto, Ontario, Canada, to help the city recover financially and psychologically from the effects of the 2003 SARS epidemic. It was attended by an estimated 450,000 people, the largest concert in Canadian history. On November 9, 2003, the band played its first ever concert in Hong Kong as part of the Harbour Fest celebration. In November of 2003 the band exclusively licensed the right to sell their new 4-DVD boxed set, Four Flicks, recorded on their most recent world tour, to the U.S Best Buy chain of stores. In response, other music retail chains (including Tower Records, Virgin Megastore and HMV) pulled all Rolling Stones CDs and related merchandise from their shelves and replaced them with signs explaining the situation.

The Stones completed sessions with Don Was as producer for a new studio album in Paris in December 2004, with Jagger and Richards writing and recording new songs. Was stated the Stones would reconvene after the Christmas holidays and that the tracks recorded so far were significantly different to anything he has worked on with The Stones before. Charlie Watts also attended the Paris sessions and was reported to be in excellent health after being treated for throat cancer. The album is The Stones' first full studio album since 1997's Bridges to Babylon, with a tentative release date in Summer 2005, as reported on Billboard. On May 10 2005 the Stones announced plans for another world tour starting on August 21st at Fenway Park in Boston. The tour is expected to include dates throughout the USA and Canada before going to South America, Asia and Europe. Launching the tour at the Julliard School of Music in New York, Mick Jagger told reporters that it would not necessarily be their last and declared that work on a new album was "85 percent" complete.

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