| Armed with juvenile delinquent attitude,
hyper-child energy, and the distinct inability to play
their instruments, U2 became Ireland's most important
export since St. Patrick's snakes, charismatic visionaries
who believed the human spirit could transcend the boundaries
of rock.
As high school friends in 1970s Dublin, singer Bono,
guitarist the Edge, drummer Larry Mullen, Jr., and bassist
Adam Clayton won a McGuinness Ale-sponsored battle of
the bands and won over Island Records head Chris Blackwell.
Landing in the U.S. with soaring melodic anthems including
"I Will Follow," U2 quickly became a post-punk
phenomenon, the UK's equivalent to R.E.M. Steve Lillywhite's
echoing, bell-spiked production made Boy (1980) a hit,
while October (1981) exhibited growing pains, a reflection
of the group's struggles with Christianity, a divided
Ireland, and their impending stardom. These concerns
came to a head on War (1983), for which the group literally
jumped over their recording engineers to enforce the
raw, distorted crackle and pointed textures of "Sunday
Bloody Sunday" and "New Years Day." War
was business as usual next to the broadened scope of
The Unforgettable Fire (1984) and The Joshua Tree (1987),
albums with huge ambient soundscapes encouraged by producers
Brian Eno and Daniel Lanois.
After the bluesy experiments of the studio half of
Rattle And Hum (1988), U2 stopped stressing out and
instead flaunted their spiritual/showbiz contradictions
with the buzzing sonic adventures of Achtung, Baby (1991),
the subsequent multi-media flash of the Zoo TV tour,
and chaotic energy overflow of Zooropa (1993). The sadly
overlooked Original Soundtracks 1 (1995), recorded with
Eno as the Passengers, is a compelling diversion of
dark faux soundtracks. Amidst some Vegas-style self-mockery,
Pop (1997) delivers a few great leaps ("Discotheque,"
"Miami") into matching pop-tune sensibilities
with dense techno textures but then backs off to more
traditional rock songstering. U@ most recent studio
album, 2000's Grammy-winning All That You Can't Leave
Behind, combines elements from all of U2's periods,
which explains why it appeals to such a wide fanbase
and became a huge comeback record for U2, thus solidifying
their status as the biggest band in the world more than
20 years into their career. |